GULI SILBERSTEIN                                                                           

Reviews: 

CINESINFIN - un blog de Borja Castillejo Calvo:

https://cinesinfin6.wordpress.com/2021/02/07/the-devil-had-other-plans-acts-i-ii-iii/?fbclid=IwAR1gSUnnuMMCFFg2EjVOWl0PWLEtD-i1c4w5yUkMrQFs0rgogmX7GZhZR0E

A review by Tomáš Stejskal in https://www.aktualne.cz/:
"How to capture the anxiety caused by a coronavirus pandemic? Israeli video artist and editor Guli Silberstein found the ideal medium in the colored version of the famous horror film Night of the Living Dead, by which George Romero started the modern history of this genre in 1969.
The famous scenes from the house, where a group of Americans barricade themselves in front of fiery undead longing to eat them alive, are turning into abstract scenes with a strongly symbolic value.
It was difficult for Silberstein to choose a more suitable horror. The Night of the Living Dead was filmed with a black-and-white, documentary contact camera, touching on American racism and discussing that the greatest danger was ultimately the people themselves. The animation tools of the Israeli filmmaker have broken this groundbreaking horror into a disturbing audiovisual meditation, which, with the sounds of piano and fine electronics,  digitally chirps about today's time when horror no longer takes the form of clearly visible monsters."

​​​​The Devil Had Other Plans

A post-horror experimental film/series in three acts: Act I - SHOCK, Act II - TURMOIL, Act III - HELL

* Available as a series, separate videos, or a 40 minutes film. Contact here for queries.

A gut reaction to the Coronavirus apocalypse, made in the first months of isolation and confusion in March-June 2020, echoing the shocking, eerie and surreal experience of the pandemic. Reworking the classic Zombie public-domain film from 1968 'Night of the Living Dead' by AI colorization, video processing, re-cutting and sound work. The attack of the outside and tensions within the inside were found in the horror film images, broken apart and reassembled to become a haunting kaleidoscopic nightmare.
The processed hybrid form of film, video and digital, becomes a stream of consciousness acting directly on the senses, echoing the Coronavirus pandemic channeling fear, paranoia and suspicion. The work brings forth the dark streams bubbling under this wave of chaos, and brings back horror-films' envisions of catastrophe, referencing also the idea of the home, domestic tension, inside/outside, the body, the 'other', and extreme mental states.

The Devil Had Other Plans (Act I) on Cinémathèque Française's channel :

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